Covered by the
publications that matter.

The New Yorker

Profile · 1998

David Owen’s landmark profile of Tom Christopher’s four decades of expressionistic painting in New York City. One of the most cited critical assessments of his work.

Forbes

Technology & Art · 2018

Charlie Fink’s coverage of Lift Trucks Art’s Virtual Reality Fine Art program at Montefiore Medical Center. Tom Christopher’s paintings deployed in pediatric cancer care via Google Tilt Brush.

Smithsonian

Cultural History · 2017

Smithsonian Magazine’s coverage of the Tattooed New York exhibition at the New-York Historical Society, featuring artifacts from the Lift Trucks collection.

The New York Times

Arts & Exhibition · 2010

Benjamin Genocchio reviewed The Ekphrasis Exhibit at Lift Trucks, describing a former forklift factory now operating as artists’ studios and exhibition space. Photographer Librado Romero documented the show for the Times.

Art in America

Critical Coverage

David Ebony Documents “The Unknowing Hand”

David Ebony, Managing Editor of Art in America, visited and documented the Lift Trucks Project exhibition. One of the most significant critical endorsements in American art journalism.

COVERAGE

BBC

Culture · 2017

“300 Years of New York Tattoos”

International coverage of the Tattooed New York exhibition and Lift Trucks Art’s role in preserving and presenting the city’s tattoo history.

COVERAGE